Archive for November 2012

Product Extension - Curated Wardrobe - Premiumisation


I know its Mintel but some info that may be relevent from my other project for next term. I thought might be interesting for the MINI lifestyle extension for you girlies. I'll have a look at men's too.

Women's Fashion Lifestyles - UK - May 2012
Young women are delaying making big financial commitments, cushioning them from the worst effects of the recession and allowing them to continue to splash out on fashion.
The women’s fashion market is set to prosper from more people working in white-collar senior managerial and professional occupations. The number of ABs is predicted to grow by 6% to 14.8 million, an increase of 0.9 million UK adults, and these affluent shoppers have the greatest spending potential.
AB women are most inclined to prefer good-quality clothing that they can wear for several seasons and to opt to invest in fewer items of superior-quality clothing. This socio-economic shift therefore paves the way for premiumisation within the women’s fashion market.

Over the next four years, Mintel forecasts that the women’s fashion market will grow 19% to reach £23.2 billion in 2016.
There is a widespread consensus among women that it is more important to dress in a way that suits their individual body shape rather than automatically adhering to the latest fashion trends.
ABs opt for quality over quantity
A fifth of women are opting to invest in fewer items of superior-quality clothing, which is encouraging premiumisation within the fashion market. 25-34s (23%), ABs (27%) and shoppers at higher-priced fashion stores are most inclined to put quality over quantity when they are shopping for clothing.

Fashion Online - UK - March 2012
The rise and rise of social media
Social networks present a powerful platform for fashion retailers to promote their brand, heighten awareness of their fashion offering and engage with their audience. This is particularly the case for young fashion brands, as under-25s are the biggest fans of sites such as Facebook and Twitter.
In 2011, Mintel estimates the online clothing and footwear market to have grown by 18% to £5 billion. This represents a phenomenal growth of 147% since 2006 and reflects consumers’ rapidly growing appetite for fashion ecommerce.
Boom in smartphone ownership
According to Mintel’s Digital Trends Winter – UK, December 2011 report, the majority of consumers (54%) now own a smartphone, peaking among ABs (65%) and 16-24s (69%). 2011 TGI data reveal that a third (34%) of internet users have surfed the web via their mobile phones, an increase of 21 percentage points since 2008. M-commerce is expanding at a rapid pace, making it a lucrative channel that fashion retailers can ill-afford to ignore.


Traditional ecommerce sites have been about providing as much choice as possible at the click of a button. However a new breed of retailers sees value in providing a much more restricted range of items.
http://www.wired.co.uk/news/archive/2011-06/30/curated-e-commerce

Emotive Connection to Consumers: VW Polo Advert


Citroen Champs-Elysees Showroom: Paris













http://www.citroen.fr/c42-champs-elysees/#/c42-champs-elysees/


http://www.contemporist.com/2008/03/27/new-citroen-showroom-in-paris/

http://www.flickr.com/photos/kenlee2010/7795566326/




Personalisation, experience and differentation

The Drive for Differentation

Perhaps the principal response from high streets to changing markets has been to emphasise their distinctiveness. In the more successful examples, coordinated work has taken place to demonstrate that the high street has something different to offer and is a place to visit for leisure, culture and specialist shopping rather than for routine purchases. (BIS, 2011)

“We’ve entered a period of time when style on all levels is obsessed with heritage, realness and strength. For men, facial hair seems to represent all these things” (Pryce, J. D., 2012)

I have to price the cinema to be sustainable (it is openly commercial and receives no grants/income) but also to be affordable.  Value for money and the extra little touches or details are important.  It is not just going to the cinema.  I have teamed up with a local not for profit community arts project and a local storyteller and they provide an activity session before the film at our Kids Film Lounge. We have a range of organic refreshments at affordable prices (cheaper than the multiplexes and far superior products). (Bertram, N., stowfilmlounge@gmail.com, 2012)

It is not easy though.  I have to have four licenses per film per screening.  It is fair to say that there isn't a huge profit in this and that is why, in my opinion, the cinema industry is polarised into the big multiplexes who can absorb running at a loss sometimes and at the other end Filmclubs that are not for profit but only really focused on niche/art-house films.  Add in Love Film and Netflixs and you can see to be a small independent cinema business is not easy.  However, with the correct programming, good high spec technical set up, quality environment it is possible to survive and thrive. People are seeking these experiences out rather than going to the local multiplex. (Bertram, N., stowfilmlounge@gmail.com, 2012) 
 

Experience

Society’s attention span has been reduced and shopping has to compete in a visually oriented world. It has to be exciting to respond to that competition. (Coleman, P., 2006)
 
Over the past decade consumers have become more mobile and their attitudes and preferences have changed – they now seek more ‘experience’ and a greater choice. (BIS, 2011)

Each place needs to be collectively animated (not just planned or managed) in a way that is flexible, responsive to change, open to new ideas that enliven space, and able to seize opportunities. Our centres can become lively, creative, exciting and useful places that reflect the diversity of our communities – but not through retail alone. (Dobson, J., 2011)

Between us, we have many examples and ideas of how this could be and is being done. By bringing these ideas together we can create the ingredients that will allow local people to rethink their shopping areas as multifunctional, people-friendly places. (Dobson, J., 2011)

Wanting to go into town is different from wanting or needing to shop. It is about an experience. It is about sociability and relaxation, creativity and being part of something you cannot get at home or at work. This does not have to be expensive – much of this activity can be cheap and self-organised (Gehl, J., 2006)

I do think there should be a more diverse range of lifestyle things on the high street.  Cinema in particular is all about a shared experience, a community coming together to be entertained.  At our screenings friends/neighbours with kids intermingle and interact and at our first evening screening a couple met who found out they were neighbours!  The sense of ownership that people develop is quite interesting. It is as if the cinema is personally linked to them.  I think it transcends entertainment per se and becomes a really important tool for connection and social cohesion. (Bertram, N., stowfilmlounge@gmail.com, 2012)

“The idea of a successful public space is where the public feel like they’re welcome”, he said. - Roger Madelin, CEO of Argent: Building a new European hub in London. (WGSN, 2012)

 Pop-up Culture

I do think that councils have a big part to play in encouraging pop up culture amongst businesses. It is not easy and in the same way that empty properties are being highlighted for the homeless why not put the spotlight on empty shops for businesses. (Bertram, N., stowfilmlounge@gmail.com, 2012)

(more to come!)
 

What do we want to do?

What are they missing?

What makes the mini consumer tick?

AIM:
We want to make the Mini lifestyle range more accessible and desirable. We want it to be an aspirational buy, creating brand loyalty, brand ambassadors (/lovers), brand awareness resulting in consumers eventually making a bigger investment by entering a dealership and purchasing a Mini.

How are we going to achieve this?
> personalisation
> making shopping an experience
> product expansion
> move out onto the hightstreet and link it with the dealership, interaction between the high street store and dealership
> space squatting (pop up stores, maybe before a fully functioning store is set up)

Pop up stores/High street stores
Art installations/ galleries/museums
Window displays
Events
Fashion films
Theatre design/ concerts/ live installations
Collaborations
CASE STUDIES: Hollister, A&F (experience when shopping)

Product expansion
Collaborations - British design, to keep it British, timeless, statement pieces, not so trend driven, classic pieces, good quality, just a few REALLY good pieces.
Environmentally friendly.How people oare becoming more conscious. Brands need to be setting the example for consumers to follow. Make better choices available. If they're not there, the conusmer won't buy it if it isn't there.
Suits the current, diverse consumer range
Competitors - someone who already is quite British. A British brand. Independent niche labels. Not high street brands.
Menswear - independent timeless pieces, transeasonal
Invest in one piece (recession blah blah blah)
Authenticity - made or done in an original, traditional way, true or real. (is the a trend in itself?)
Mini only does one product range in a year - we need at least two to be taken seriously in the fashion world.
CASE STUDIES: Hollister, A&F (types of product), Topshop collaborating with Mary Katranzou

Personalisation - HOW DO WE IMPLEMENT THIS?
How people want things to be unique, customisable, indivual
Limited addition
Tailored
Sentimental value (*marketing* - telling a story)




VM & Shopping Environments
















Live Models





Interactive T-shirt Printing - Activities to get the consumer involved



LS:N Autumn/Winter Trend Briefing 2012


Some more Predicted Trends that we could relate to MINI that I thought were relevant from the talk to link in with some of our ideas. (Some are what I have already talked about with you guys but thought I would put them up as a reference point and reminder, including the others too)

Symbiotic Branding
·      Things seem better when you do it with someone else
·      The relationship between consumer and brand has changed from:
Used to be a way to get a buzz and people in-store
·      In an age of austerity, open culture, urbanization, beta mindsets and shifting heiraches between brand and consumer that has changed.
·      A new model is emerging
new era, brands neighbors, customers and even competitors are its new collaborator.

Space Squatting
Trend Drivers, Social, Technological etc.
Utilizing space and areas where facilities are not being used at certain times of the day. Lower overheads, no start up costs for restaurants.
An Islington pie and mash shop becomes The Seagrass by night
Utilizing space that is vacant at night. Lower overheads, with no huge start up cost.
Back in 5 minutes: The disappearing Dining Club- Made a 6 month pop up restaurant.


Co-trader and co-maker
·       People coming together to help each other/solve problems
DIY more important as people produce their own stuff getting raw materials and making it ourselves
·      As this happens our sense of brand and product will continue to mix and merge
·      Genuine but ‘not authentic’. Tired and overdone.

M-Commerce & Digital Dominance
Google Glasses – we will have at end of this decade
Wireless Internet & Smartphone ownership increased rapidly over past couple of years. People adapt to technology very quickly.

Health Data
What would you share to get money or rewards?
18-24 young people are a lot more likely to share.

Collaborative Consumption
People increasingly interested in access ownership, eg not owning a CD
They don’t need to have as much stuff – its more about the experience of it.

Co-operation
Smart Brands are taking a new stance on capitalism. Instead of competing they are celebrating common purpose and turning competition into collaboration.
Aldi with upmarket supermarket Fortum & Masom. (In Germany)

Brand Jacking
Brands Hijacking, the logos and names of others to increase their influence.
ADVERT – Old Spice – smell is power advert/bounce
http://www.youtube.com/watch?v=PvYP_d2S1Pg

Brandalism
Smart brands are mischievously attacking their competitors product launches, commercials and events in acts of blatant brandalism.
Olympics – Oddbins offered a 30% discount for people who supported rival brands

Art dustrial revolution
Artisians and designers
Eirik Helgesen, Eastfjords, Iceland.

Rebirth of community
Responsive Systems
Science museum in London
Designers are creating work that requires people to be there to make something happen to be.

Chromeweblab.com – makes thing happening from other people in world who are alike.
Something happening at night that could be happening when you’re not there. Connecting people and space via online.






Symbiogenesis
Brands will no longer be solely producers but instead they will form platforms, networks and communities. This is a new business paradigm. Symbiogenetic brands will consider co-operation, collaboration and cooperation their default way of working.

Faction Marketing
Consumers today are highly sophisticated, they are bored of Authenticity – know it’s a lie
Suspend their disbelief – dive into transmedia tales
Brands merge fact and fiction, and fiction with fact
Peugeot selling features of car through fun fiction way
The Hybrid graphic novel by Peugeot Hybrid


http://www.youtube.com/watch?v=-lNTag-1Hmc

Austerity Fatigue
We are seeing a push back from austerity
Authenticity overkill

Retail Theatre Rising – It is so important
·      Yayoi Kusama collaboration with Selfridges – Louis Vuitton - Concept Store
http://style.selfridges.com/self-tv/making-kusama-louis-vuitton-concept-store






·      McQueen Store – flick runway, technology

Potterism
We are more interested in fantasy than ever

Transmedia storytelling
Marketers are telling stories over multiple media channels

Fashion Films
Film marketers are creating viral videos, social networks and live events.

Storytelling
Taking something simple and showing it in an engaging way
Viral video for Lady Gaga’s fragrance
Telling the story of ingredients, better than just putting ingredients on a bottle.
http://www.youtube.com/watch?v=BV_Prml-oB8

http://vimeo.com/42562659 - The Forty Something

NIKEcraft: based on a mission to Mars.



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